Karen Kevorkian: California Poets Part 10, Four Poems
- Jun 11, 2024
- 3 min read

Karen Kevorkian
April 2nd, 2026
California Poets: Part X
Karen Kevorkian
Four Poems
Subduction
A car stopped on a bridge below the world spreading its patterns of boundaries
on either side tall grass heavy mud and small trees curving with the river
all was newsprint clear
one little house to live in a woman at the table reading
waking to August sun turning cars to brass
noon fired up one side of a tree trunk a bright red folder on a shelf
soon shadows edged sharp as the blades of new knives
balanced at the river’s edge she dived in, green water closed over
Memory a Site Time Edits
Like the Forum where each bonelike column
identifies this or that place or building
pristine and bleached
known doorways boarded, the little bakery’s mouthfilling
yellow tarts, a café’s leather banquettes
old men lifting small white cups of black espresso
that life
why want it back
to the tired or bored it says nothing
the alley by the window where a desk stood
the other window by the kitchen sink, a new shelf,
unfamiliar plates
A Black Calf in the Field
In the field a black calf nuzzled the side of its cow
her sleek and round body you imagined laying hands on
to slick the short hair in one direction could you transcend
barbed wire to flounder in dry grass the sun flirts with
some surrender to the Jesus they say will take care of all things
I do not feel this is plausible though I understand surrender
last night driving outside the town a sky of patent leather sheen
along the powerline a meteor, fleeing ball of fire
It Is Just Us Making Our Exit
The color wheel shifts, red sunlight filters, lawns an eerie green from rare rain
against which small white roses suddenly bloom, specks in a tide
arms swinging a woman paces midstreet, tinyfisted hands, a rooftop star
mimes holy refuge
where inside a weighted shade cord lapping at a heat vent, a pendulum’s
widening circles, everything saying something
the angry cat hurling itself at a window, on TV someone you know acts out death
pushed to curbs bins marked Heart of Screenland, an old hotel where
the Munchkins stayed
Oz now somewhere to walk to, be waited on, order food or drink
a body washed up onshore, red neon hand in the window of a psychic life coach
dusty shop with a handpress, wall map of 19th-century Paris, years of gridded unfolding
Author Bio:
Karen Kevorkian is an American poet based in Los Angeles. Her fourth poetry collection is Here in My Body it Feels Crowded, a chapbook (Walton Well Press, 2025). Her other poetry collections are Quivira (Three: A Taos Press, 2020), Lizard Dream (What Books Press, 2009), and White Stucco Black Wing (Red Hen Press, 2004).
Her poems are published in the journals New American Review, Four Way Review, Furious Pure, Laurel Review, Verse Daily, Taos Journal of Poetry, Antioch Review, Michigan Quarterly Review, Witness, Terminus Magazine, Massachusetts Review, Levure littéraire, Pool, Denver Quarterly, VOLT, Poetry International, Spillway, Quarterly West, Shenandoah, New World Writing, Agni Review, Hayden’s Ferry Review, The Literary Review, Borderlands, the Rio Grande Review, River City Review, Virginia Quarterly Review, Archipelago, The Drunken Boat, Poetry Flash, Third Coast, Hambone, Pratik: The LA Issue, and Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts in Los Angeles (Tia Chucha Press). Her fiction is published in Fiction International, Five Fingers Review, Furious Fictions, and Mississippi Review.



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