Marci Vogel: California Poets Part 11, Four Poems
Updated: Oct 15

Marci Vogel
October 20th, 2026
California Poets: Part XI
Marci Vogel
Four Poems
IN THE SANCTUARY STATE
of our inaugural winter day laborers are wiring home coins
in record numbers One of them abandoned an escape route
in the gutter This is not a fact but a supposition I make while
passing a note duct-taped to a utility pole — Found: Extension
ladder please call this number — Was it a power outage or sudden rain
the repairman deluged with fixing? The note does not explain
how long it takes to save for a ladder like that or who was left
holding the bottom rung while the other one climbed If lights
flickered when he reached the top Did the sky open? Did he enter?
TO THE WESTERN SYCAMORE WHERE THE FLEDGLINGS GATHER
— with an inscription by Paul Celan
between cloud & root
nestled in the crook
of a low-slung branch
studying tawny grammar
your leopard-spotted
sepia bark
trunk & limbs
shedding years
over alluvial root
who planted yours
urban riparian
woodland as the crow flies
over inland riverbed
stream-side concrete
graffitied whale out
of its depth & in a new
season velvet-green
broader than my palm
will ever be —
it's said your wood
is hard to work
good for buttons
tobacco boxes
utensils & barrels
your shade shelters
bodies of water
calm & troubled
disease by beetles &
spore slope your height
the young ones climb
in another version
an old man returned
from ageless wars
a message in a bottle
a shell of you inside
to hold very tight &
please start writing
again & let us have
something for our fingers
a talisman
a lifeboat
a poem
washed ashore —
IN CALIFORNIA THERE IS A NEIGHBORHOOD WHERE ALL THE STREETS ARE NAMED AFTER THE LEGEND OF SLEEPY HOLLOW
Van Ripper Court, Katrina Lane, Crane Drive. No horseman, but the only road
out is the only road in. SPEED LIMIT: 35 YOURS: 41. Young redwoods sentinel the
meridian. An orange earthmover readies for the semi-annual evacuation drill.
Expect delays Van Tassel to Ichabod. In another legend, goats devour the fire. Above
the valley, at the crest, a stone bench blooms lichen. Some tell of a secret culvert
into which someone has placed an egg. When the water comes, it rinses meadow
branches wrapped with silver. The Subarus, the Hondas, the Jeeps—all the Tundra
pick-ups carting wide planes of glass—charge past the herd breakfasting in the
school crosswalk. Careful, don't lose your head. If you tarry at the cut sycamore
just after Van Winkle, you might see one spotted fawn forage an heirloom plum
on her perfect, spindled legs.
LATE PANDEMIC BREAKUP WITH ELEPHANTS
upstairs my neighbor walks circles on the ceiling
broken unmasked on the porch next morning
asks How do you get through it
I can’t exactly say
we’re always in it One foot in front —
of another city I heard elephants trekked
300 miles north from a year ago March
nobody knows why at night they sleep with bodies touching
trunk to foot no tusks
when one gave birth the entire herd waited
for months
through steady rainfall
reports of blocked traffic smashed up barns
whole fields of corn consumed drunken pachyderms stumbling
through a fermented grain store
in the direction of urban streets
foraging for snacks trailing enormous night gardens
it’s said they visited the home of elders lifted a lost calf
out of the gutter devoured a truckful of pineapple
set out as lure & then continued their way
researchers mystified Don’t trust anyone who gives you a very
clear response something like
elephants are thick-skinned mammals when the truth is
the skin of an elephant is sensitive (& like mastodons & Woolly
mammoths) prone to extinction
they can swim
they stand on their toes
recognize themselves in a mirror
remember sources of water
along migration routes
use their trunks to greet & reassure
their tusks are (in fact) giant teeth &
like the teeth of new humans
fall out & then grow in again
without cutting
there is a practice used to break
a young elephant’s spirit bound with ropes & confined in tight
wooden structures starved & beaten over
& again with a sharp long-handled steel hook
even captive they remain wild
not immortal like the gods of Olympus
the god who takes the form of an elephant
is worshipped as one who clears obstacles
& paves the route to charge forward trumpeting
the prehistoric song-cure Let’s go this way
my loves —
Author Bio:
Marci Vogel is a California-born poet, translator, and educator. She is the author of At the Border of Wilshire & Nobody (Howling Bird Press Poetry Prize); Death and Other Holidays (deGroot/Miami Book Fair Prize for the Novella), published in French as La Mort et autres jours de fête (éditions do; trans. Marie Chabin); and XENO» GLOSSIA: An Illuminated Study of Christine de Pizan (Parlor Press). Her work has received support from the Community of Writers, the Napa Valley Writers' Conference, and the Camargo Foundation. The recipient of a Willis Barnstone Prize, her commentary series on translation and poetics is archived at Jacket2. A first-generation college graduate, Vogel served as a Mellon Postdoctoral Fellow in the Humanities and the University of the Future and teaches at the University of Southern California.



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