Yun Wang: California Poets Part 11, Five Poems
Updated: 6 days ago

Yun Wang
October 20th, 2026
California Poets: Part XI
Yun Wang
Five Poems
Meditation on the Element: Water
The first rain poured from comets. A sea
enveloped the planet.
How did life begin?
Water chimes as I wade turquoise shallows.
What does the water in my body know, having ridden a comet
as planets hardened around the Sun?
How many times did the water in me rise as clouds
then rain over a changing landscape?
We quicken in birdsong summoning other birds.
Somewhere snow melts into waterfalls.
Why are we powerless to resist orchids
evolved to lure insects?
Waves join sky and earth. Whales sing
stories we have forgotten. Is someone listening
beyond the constellations?
Each stream meanders
across mountains and valleys
returning to the sea.
Meditation on the Element: Earth
When
did seeds of life
cross lightyears
to descend
into a water world?
How
did algae become plants?
Roots vein the land
seeking water, tips pulsing.
Leaves, intricate green
portals to light from a lonely star.
Why
did fish shimmy onto land?
The first lungs burned
inside tetrapods walking on fins.
Eyes open to night sky
dazzling with a river of stars.
Forests dream,
each grove a cathedral.
How does a nightingale hold power
over emperors?
Love, the incandescence
vanquishing the fear of death.
Earth floats in dark void,
a blue mirror
to a golden star.
Counterpoint to infinite space.
Communism and Star Trek
Both promise the same future:
“From each according to his ability,
to each according to his needs.”
Communism seeds bloody revolutions,
enthrones dictators with god complexes.
Star Trek inspires futuristic tech
snug in a uniform’s pocket.
The Milky Way harbors as many stars
as neurons in the human brain.
The Cultural Revolution banished professors
to remote villages, to be re-educated
by illiterate peasants. Old peasants felt
the Dao of Heaven demands kindness.
Their children enjoyed beating exiles.
My father was beaten daily by a thug
who occupied our ancestral house,
its windows carved with lotus flowers.
The Universe is accelerating its expansion.
What is this dark energy out there?
My father told me to explore the Universe,
to live long and prosper. Staying beyond
the communist retribution for people
with their heads in the clouds.
My progenies will pilot spaceships,
play the violin, and grow turnips.
A white lotus flower rises from black mud
to ponder cloudscapes reflected.
The future hums in our veins.
Gift from a Squirrel
A squirrel rips my glorious
sunflowers. Devours them.
Undeterred by the coating
of hot pepper spray.
Dry wind withers green portals.
A squirrel hangs limp
from the mouth of a coyote
loping into purple dusk.
The same one, or its mate?
Blue rainstorms weeks on end.
I am stunned by sunflowers
out of nowhere:
down by a wire fence
high on the weedy hillside.
Each a mini paradise on stilt.
Seeds buried by the squirrel
for a gray winter? Seeds trapped
in its fur as it feasted, to fall
when it romped in silver lupines?
Legend of Blue Bridge
Thatched huts. Bramble gate. Old woman weaving
hemp on a loom. Scholar Pei Hang passed
feeling urgent thirst, asked for water.
Men have long fantasized this place
hidden near the Blue Bridge Lodge.
The old woman summoned granddaughter
Cloud Flower, to bring water. In a clay bowl,
water sweet and refreshing. Pei drank, smitten:
Cloud Flower eclipsed the full moon.
Grandmother smiled, set him on a quest.
Pei searched the world, traded all he owned
for a jade pestle and mortar. Pounded herbs
for a hundred days. Married Cloud Flower.
Together they entered Jade Mountain
eventually ascending as immortals.
Born an immortal, Cloud Flower would water
anything. Grandmother would summon her
even for an ogre. He would drain the bowl.
Everything would vanish into thin air
unless he proves interesting enough.
Millennia earlier Wei Sheng drowned at another
Blue Bridge, hugging a post as the river rose
waiting for a woman who did not come.
Men have long insisted a woman’s chief asset
is beauty, enhanced only by immortality.
Pei Hang bowed deeply at the door
to the beyond. Could a smug mortal
hold on to immortal beauty free to flee?
Author Bio:
Yun Wang grew up in China reciting ancient poems, and began writing poetry at age twelve. She attended Tsinghua University to study physics at age sixteen, following her father’s advice to become someone needed regardless of the political climate. She came to the US for graduate school in cosmology in 1985, and is now a cosmologist at California Institute of Technology, working on NASA space missions to explore the Universe.
Yun Wang’s poetry books include “The Book of Mirrors” (Winner of the Twenty-Sixth White Pine Press Poetry Prize 2020), "The Book of Totality" (Salmon Poetry Press, 2015), and "The Book of Jade" (Winner of the 15th Nicholas Roerich Poetry Prize, Story Line Press, 2002). Her books of translation include "Dreaming of Fallen Blossoms: Tune Poems of Su Dong-Po" (White Pine Press, 2019), and Laozi’s “Dao De Jing” (co-translated with Li-Young Lee, W.W. Norton 2024).



These are beautiful poems – there’s a solitude in them that resonates I think with every poetic impulse and every poet alone, a small light illuminating an empty page, they fill with their life—